A Daily Interior can be the representation of emptiness, a glimpse of a place through the crack of a tin can, or simply a domestic landscape, useful as a phenomenon of cultural memory, almost like a clinic to renew the soul and the vitium corpus.
A Daily Interior can be the representation of emptiness, a glimpse of a place through the crack of a tin can, or simply a domestic landscape, useful as a phenomenon of cultural memory, almost like a clinic to renew the soul and the vitium corpus.
the chromatology of the imagined city is the trace of walkers between stations, their appropriations of space, of letters, of labels, of gutters, the meanders of the streets and their ramifications in a drawing body beyond remedy; in short, a topothesis full of lapses, stories, glances, synchronicities… made in the street.
It is not the small perverse minds that place us where we finally want to be, nor are they even postcards in motion, nor rectifications or exercises in self-exile to weave the soul or a conversation between mom and me; it is the antithesis of the conversation in the mirror, of sweet thought or of the golden physical interface, the sonodrome of constructions. My skin, my voice.
The minga of the kanimi there Ulñangapa that reaches beyond the vacant lots to join the measureless scraps of memory from the bahareque houses that hide the anecdotes about the longed-for lover.
And there is no remedy; we could say that these paragraphs summarize the titles of the 2014 thesis projects, but in reality they are the visual and conceptual diagnosis of the artistic practices of a handful of young people beginning their journey.
There is a cartography to travel in this selection, a proposal of connections and interactions between the themes, the practices, the installations, the people and the spaces; the Museo de Arte Contemporáneo de Bogotá serves as a laboratory so that the content acquires new meanings that overflow its limits and establish diverse appropriations that strengthen the social processes inherent to culture.
Performance, photography, installation, drawing, among other proposals, are part of the eleventh edition of the show, which opens on June 7 at 2:00 pm. An approach to the landscape of national artistic production emerging from academia, with 42 degree projects from 25 educational institutions nationwide.
The exhibition will be open to the public until June 29.